Adding Orff instruments to the African-American singing game Pizza Pizza Daddy-O gives you a perfect arrangement for concerts as well as extended lessons to explore and practice mi, so, la, and syncopation in the classroom.
Integrating culturally responsive elements into these lessons is seamless, as students can incorporate dances that hold personal meaning to them into the song lyrics.
Pizza Pizza Daddy-O is such a classic, fun game and kids love to play it year after year. This resource extends learning with an easy Orff arrangement that can become a concert showpiece!
Rhythmic building bricks are often used in the Orff process and let students take simple rhythms and then create more complex ideas. Let’s look at the basics of how to use them for teachers new to the process and some special extensions for those who’ve used them before.
The Origin of Rhythmic Building Brick
Rhythmic building bricks were designed by Carl Orff’s contemporary, Gunild Keetman, and explained in detail in her wonderful book, “Elementaria.” They are simple note patterns that can be combined into more complex patterns.
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What Are Rhythmic Building Bricks?
Rhythmic building bricks, sometimes called rhythm blocks, are 2-beat patterns using only quarter notes, quarter rests, and paired eighth notes.
Students brainstorm and find words that have the same number of syllables as the simple patterns so 1, 2, 3, or 4 sounds.
Then they string 4 or 8 bricks together to create a more complex pattern.
Teachers often use themes to support cohesiveness to the complex patterns that are created.
Older students can explore bricks in compound meter using 1 (dotted quarter), 2 (quarter eighth), and 3-note (3 eighth notes) combos. Valentine’s Day and February is the perfect time to try this variation.
How Are Rhythmic Building Bricks Used
Halloween/October is the perfect time to use rhythm bricks. Here’s what one class created.
The top of the board shows their brainstorming. The bottom shows the bricks they put together to create a more complex pattern.
In the above 8-brick pattern, students used repetition to create their “beat.”
Haunted House (3), Halloween (3), Jack-o-lantern (4), Boo (1). Black Friday (3), Frankenstein (3), candy (2), Boo (1).
Specific Learning Goals
Repetition: It’s a perfect time to teach them about repetition and that it might not sound the best to use “one of each pattern.”
Exploration: When working with a partner or in groups, learning to try different combinations is optimal. The idea of “one and done” is a big NO.
Form: What you create from the new patterns makes a perfect “B” section for a song or poem.
The Halloween beat above would be the perfect B section to an A of Pass the Pumpkin for a final ABA form.
If working in multiple groups, it becomes a great way to teach rondo form. ABACADA where “A” is Pass the Pumpkin and B, C, and D are the 8 measure beats created by different groups.
Tone Color: Taking the patterns and transferring to instruments is a great way to let students learn about tone color. What instrument(s) will sound best with your pattern and the overall theme?
Extensions
Centers
Using whole-class instructions is a great way to learn about and work with bricks. You can extend and expand the learning in other ways.
Individual/Partner/Small Groups: Students can explore in these groupings in a regular class setup or in centers.
Your music center setup will be a BREEZE with this easy-to-use and effective “Create a Songtale” rhythm resource using quarter notes and rests and eighth note pairs in a rhythmic building brick format.
Making Bricks
Make blocks for centers using building blocks or foam cubes. On the building blocks, use stickers or a permanent marker. I sprayed a coat of polyurethane on my blocks and it really helped keep the notes from rubbing off.
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I got the Mega Bloks below from my local Goodwill. Prextex Blocks are currently the closest I can find to them.
Written Activities
A fun writing rhythm activity using building bricks where students create a rhythm menu and take-out orders!
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Ruth Crawford Seeger, composer and folk music specialist, had an amazing career and influence in the world of classical and folk music. Her music was different and exciting because she mixed old and new sounds together. People of all ages still love listening to her music today.
1901: Born on July 3 in Ohio
1919-1921: Attended the American Conservatory of Music in Boston
1932: Married Charles Seeger
1953: Died in Maryland
Ruth and Charles had four children: Mike (folk musician), Peggy (folk singer), Barbara, and Penny. Ruth also had three stepsons Charles, John, and Pete (folk singer/activist.)
Early Music Period (1922-1929)
1920s: Ruth began studying piano performance but switched to composition.
Find engaging ways for your students to play BARRED INSTRUMENTS with a NEW easy-to-teach rhyme melody and Orff arrangement, that goes with the CLASSIC song Bounce High Bounce Low.
This song is perfect for you to prepare, present, or practice “la” with its so, la, so, mi pattern as well as for you to teach quarter and paired eighth notes.
The new rhyme extends the learning into a beautiful ternary ABA form and is part of this practically no-prep, multi-lesson resource.
Are you looking for the classics taught with ACTIVE music-making?
This resource with lots of movement teaches students to play and sing (new Spring lyrics) the main theme to Vivaldi’s Spring Concerto with Orff barred instrument ostinati, AND a recreation of the thunderstorm using instruments.
You can now sing, do the motions, and PLAY this Irish favorite, The Rattlin’ Bog, with a lively Orff barred instrument arrangement (and optional ukulele part) for St. Patrick’s Day, all during March, or whenever you want that cumulative song, breathless laughter FUN!
Successful parachute songs, games, and activities teach musical and movement concepts, let students explore through creativity and improvisation, and provide a physical activity for fitness, a brain break, and a social-emotional learning (SEL) outlet.
Pull out this versatile echo song for primary students that’s about appreciation, thanksgiving, and thankfulness in November or for other celebrations throughout the year. A simple Orff arrangement, one-chord C ukulele part, scarf activities, and movement will make this a great concert piece or SEL activity in the classroom.
Give Thanks is available as a single resource or part of this Thanksgiving Bundle!
Many of us are familiar with the Jan Brett book, but this
Ukrainian folk tale has a very interesting history! Here are songs, lesson plans, and resources for the beautiful story.
Find fun and engaging Valentine’s Day songs, games, dances, and activities to make a week of LOVE in the music room. Some “love” songs can be used any time of the year!
