January music lessons get an EASY kickstart with this Orff arrangement and improvisation play along to a FUN backing track.
This new year poem resource with sixteenth notes and a simple Orff arrangement, will guide you through improvising on barred instruments as you play along to a FUN backing track.
Available in both PowerPoint™️ and Google Slides™️ formats.
Let’s get away from the smartboards and screens and learn about rhythm in a more intimate setting! We’ll explore the benefits of using a rhythm activities board in elementary music class and provide a step-by-step guide on how to create one without breaking the bank.
In the world of elementary music education, sometimes the simplest tools can create the most magical moments. One such tool is the low-cost, no-tech rhythm activities board, a versatile resource that fosters an intimate learning setting, encourages student interaction, and adds a touch of hands-on magic to rhythm lessons.
Adding Orff instruments to the African-American singing game Pizza Pizza Daddy-O gives you a perfect arrangement for concerts as well as extended lessons to explore and practice mi, so, la, and syncopation in the classroom.
Integrating culturally responsive elements into these lessons is seamless, as students can incorporate dances that hold personal meaning to them into the song lyrics.
Pizza Pizza Daddy-O is such a classic, fun game and kids love to play it year after year. This resource extends learning with an easy Orff arrangement that can become a concert showpiece!
Rhythmic building bricks are often used in the Orff process and let students take simple rhythms and then create more complex ideas. Let’s look at the basics of how to use them for teachers new to the process and some special extensions for those who’ve used them before.
The Origin of Rhythmic Building Brick
Rhythmic building bricks were designed by Carl Orff’s contemporary, Gunild Keetman, and explained in detail in her wonderful book, “Elementaria.” They are simple note patterns that can be combined into more complex patterns.
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What Are Rhythmic Building Bricks?
Rhythmic building bricks, sometimes called rhythm blocks, are 2-beat patterns using only quarter notes, quarter rests, and paired eighth notes.
Students brainstorm and find words that have the same number of syllables as the simple patterns so 1, 2, 3, or 4 sounds.
Then they string 4 or 8 bricks together to create a more complex pattern.
Teachers often use themes to support cohesiveness to the complex patterns that are created.
Older students can explore bricks in compound meter using 1 (dotted quarter), 2 (quarter eighth), and 3-note (3 eighth notes) combos. Valentine’s Day and February is the perfect time to try this variation.
How Are Rhythmic Building Bricks Used
Halloween/October is the perfect time to use rhythm bricks. Here’s what one class created.
The top of the board shows their brainstorming. The bottom shows the bricks they put together to create a more complex pattern.
In the above 8-brick pattern, students used repetition to create their “beat.”
Haunted House (3), Halloween (3), Jack-o-lantern (4), Boo (1). Black Friday (3), Frankenstein (3), candy (2), Boo (1).
Specific Learning Goals
Repetition: It’s a perfect time to teach them about repetition and that it might not sound the best to use “one of each pattern.”
Exploration: When working with a partner or in groups, learning to try different combinations is optimal. The idea of “one and done” is a big NO.
Form: What you create from the new patterns makes a perfect “B” section for a song or poem.
The Halloween beat above would be the perfect B section to an A of Pass the Pumpkin for a final ABA form.
If working in multiple groups, it becomes a great way to teach rondo form. ABACADA where “A” is Pass the Pumpkin and B, C, and D are the 8 measure beats created by different groups.
Tone Color: Taking the patterns and transferring to instruments is a great way to let students learn about tone color. What instrument(s) will sound best with your pattern and the overall theme?
Extensions
Centers
Using whole-class instructions is a great way to learn about and work with bricks. You can extend and expand the learning in other ways.
Individual/Partner/Small Groups: Students can explore in these groupings in a regular class setup or in centers.
Your music center setup will be a BREEZE with this easy-to-use and effective “Create a Songtale” rhythm resource using quarter notes and rests and eighth note pairs in a rhythmic building brick format.
Making Bricks
Make blocks for centers using building blocks or foam cubes. On the building blocks, use stickers or a permanent marker. I sprayed a coat of polyurethane on my blocks and it really helped keep the notes from rubbing off.
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I got the Mega Bloks below from my local Goodwill. Prextex Blocks are currently the closest I can find to them.
Written Activities
A fun writing rhythm activity using building bricks where students create a rhythm menu and take-out orders!
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Tideo, the classic folk song, is a great choice if you are looking for mi, re, do melody and sixteenth note rhythm practice packaged in a step-by-step presentation that includes a fun and easy Orff arrangement.
Melody & Rhythm Practice
Students will love the singing games/dances while experiencing mi, re, do in the melody (a video Poison Pattern game) and sixteenth notes in the rhythm.
January Beats is another great resource that uses four sixteenths!
In C pentatonic, Tideo’s easy Orff arrangement using three ostinati can be expanded to include an optional instrumental B section and an improvised C section.
The instrumental parts are taught using speech and body percussion in easy-to-follow slides. Use this multi-lesson low/no prep format in either Google Slides or PowerPoint.
The Presentation
Singing Game/Dance-the presentation teaches a double circle routine.
Rhythm-*quarters, paired eighths, and 4 sixteenths in the song.
Rhythm-*Eighth note with 2 sixteenths in the B section
Melody–mi, re, do is highlighted in the presentation
Melody-the song also includes high do
Orff Arrangement-a 3 ostinati arrangement with additional parts for optional B and C sections
Other Instruments: Recorder/Boomwhacker-notation and melodic color-coding using C, D, E, G, A, C’
Ukulele-LOVE these pentatonic tunes so one chord, C, the entire time.
*Rhythms aren’t labeled so you can use your classroom rhythm counting system.
My Favorite Part I LOVE that you can extend the form and add lots of different instruments to the point this fun song could easily become a concert piece.
The resource includes: A presentation in both PPT and Google Slides versions A video preview of the song arrangement in each presentation A PDF copy of the song arrangement sheet music
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Ruth Crawford Seeger, composer and folk music specialist, had an amazing career and influence in the world of classical and folk music. Her music was different and exciting because she mixed old and new sounds together. People of all ages still love listening to her music today.
1901: Born on July 3 in Ohio
1919-1921: Attended the American Conservatory of Music in Boston
1932: Married Charles Seeger
1953: Died in Maryland
Ruth and Charles had four children: Mike (folk musician), Peggy (folk singer), Barbara, and Penny. Ruth also had three stepsons Charles, John, and Pete (folk singer/activist.)
Early Music Period (1922-1929)
1920s: Ruth began studying piano performance but switched to composition.
Are you ready to add barred instruments to classic songs and games? This All Around the Buttercup resource includes an easy Orff arrangement that is taught with body percussion, speech, and great visuals. It includes the classic game and a new one or two with some fun twists. Buttercup is a wonderful song to teach quarter notes and rests and eighth note pairs, as well as so, mi, re, do patterns.
Find engaging ways for your students to play BARRED INSTRUMENTS with a NEW easy-to-teach rhyme melody and Orff arrangement, that goes with the CLASSIC song Bounce High Bounce Low.
This song is perfect for you to prepare, present, or practice “la” with its so, la, so, mi pattern as well as for you to teach quarter and paired eighth notes.
The new rhyme extends the learning into a beautiful ternary ABA form and is part of this practically no-prep, multi-lesson resource.
A spring classic for the elementary classroom is Vivaldi’s Spring from The Seasons. Are you looking for this classic taught with ACTIVE music-making?
This resource with lots of movement teaches students to play and sing (new Spring lyrics) the main theme to Vivaldi’s Spring Concerto with Orff barred instrument ostinati, AND a recreation of the thunderstorm using instruments.
PLAYING this famous theme, not just LISTENING to it
The “B section” thunderstorm is SO fun
Learning with speech and movement
Differentiated with the use of colors, images, and stepwise learning
An ARTS Integration activity-draw a picture! (see art activity below)
Teacher helpers with
higher-order questions
“I Can” statements
a pre-filled checklist that can go into your evaluation folder
Resource Reviews
Visualizing Vivaldi: A Spring Listening & Art Activity
Now it’s time to draw the imagery the music creates! This is one of my favorite lessons because it extends and complements playing and learning the music, plus it becomes a magnificent bulletin board, “Vivaldi’s Spring: When Music Paints a Picture.”
Connecting Music and Imagination
After reading and discussing the poetic inspiration behind Vivaldi’s Spring—a happy spring day with birds, brooks, and a sudden thunderstorm—we listened to the piece and brought the imagery to life through student drawings.
Each student received half of an 8.5 x 11 piece of paper to work on. We listened to Spring several times as students pencil sketched their ideas.
Next came the coloring stage with crayons. I encouraged students to *color thoroughly, leaving no white spaces.
They could only use white if they asked permission and explained why it needed to be white. We looked at lots of images of clouds and skies to determine that there really isn’t that much white around.
To finish, students **outlined their drawings with black felt-tip markers or Sharpies to make their images pop and stand out visually. This outlining step gave the artwork a polished, vivid quality and tied it together beautifully.
*This was to discourage getting done quickly and scribbling. It works. **I learned this from a brilliant elementary art teacher. It makes a world of difference in the final product.
Sharing Our Work
Once the drawings were complete, we got in a circle with our finished artwork. We slowly walked around the circle to view all the creations. This reflective, gallery-style walk encouraged conversation, observation, and appreciation of how music can “look” different to each of us.
A Bulletin Board That Pops
I collected the drawings and created a classroom display, Vivaldi’s Spring: “When Music Paints a Picture.” Other fun option might be “What Vivaldi’s Spring Looks Like” or “If You Could See the Music…”. I also included the relevant national standards:
MU:Re8.1.3a Demonstrate and describe how a response to music can be informed by the structure, the use of the elements of music, and context (such as personal and social).
MU:Cn11.0.3a Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.
This visual display not only celebrated student creativity but also reinforced listening skills and expressive interpretation. These are core elements of any well-rounded music program.
Whether the Weather-perfect for spring (although my poor dog hates thunderstorms!) with this classic rhyme with multi-lesson resource using barred instruments.
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You can now sing, do the motions, and PLAY this Irish favorite, The Rattlin’ Bog, with a lively Orff barred instrument arrangement (and optional ukulele part) for St. Patrick’s Day, all during March, or whenever you want that cumulative song, breathless laughter FUN!
